The vines are good, the fruit is sweet this year

Dad writes about my stepmother:

Family,
We got bad news yesterday. Rachel’s lung cancer had recurred and involves her right lung, mediastinum, and right neck. We saw her oncologist today. He is scheduling a repeat bronchoscopy and and biopsies. She may receive lung irradiation if there is tumor blocking her bronchi.  Then probably a trial of another biological. Her spirits are good and she feels generally well except for cough and hoarseness. Sorry I haven’t got back, but pretty busy with her tests, etc.. We have a lot of good friends in AA sustaining us. We have a Higher Power, and we are taking it a day at a time. We are grateful for every day we have together. Will keep you informed. Keep us in your prayers.
XOXO Dad/Uncle Bill

Chickety chick chick the Chinese chicken

I LOVE CHIKINS!!!!!!!!!!!!

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CHIKINS R BIRDS THT HAV FETHRS!!!!!111!!!!!!!!!!!!!!!

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TH3Y ARE MAKING EGGSX BY LAYING!!!!!!!!!11111111111111

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BUT TH3Y DO NO GIVE MILKS, BECUZ TH3Y R NOT MANIMALZ!!!!!!!!!!!!!!1

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CHIKINS CIKINS CHIKNS WOOOOOOOOOOOOOoooooooooOOOOOOOO!!!!11111111

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WOOOOOOOOOOOOoooooOOOOOOOOOOOOOO!!!!!!!!!!111111!!!!

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Update: WOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!11!!!!!!!

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What’s playing at the Roxy? I’ll tell ya what’s playing at the Roxy

I purchased a Chemex coffee maker about a week ago. It’s basically a large glass bauble. You put coffee and a filter in it, pour boiling water in, and watch your coffee drip through the specially constructed paper filter. It’s a meditative, mellow experience, at seven-thirty in the a.m., just watching your coffee drip drip drip through the Chemex, standing in your brown fuzzy slippers and dingy blue bathrobe, watching your coffee and watching the gray California morning sky, drip drip meditate drip.

As much church as I’m going to get, for the time being.

The weekend was lovely — we did a one-nighter to SF to visit a few folks and attend a birthday party. Alex is thin and brown, ready to do some modelling. Katie is as intense as ever. Sean is moody as ever, and still funny as hell.

Ambassador’s Day is playing San Francisco on August 12, 13 and 15, at the Roxy Film Center.

Where any office boy or young mechanic can be a panic

Hell of a weekend. So Friday night I played guitar in The Burlesque of Bond, same as usual. (The show?s extending through next weekend.) Next morning, I hopped a plane with my wife from Orange County, grabbed a plate of amazing pasta at Zza’s in Oakland, and went to Rhythmix for the closing night of The Death of Ayn Rand. The show was awesome; I received and gave a lot of love; Rob and Linda and Angela were awesome folks to hang out with. I was gratified to discover that since I am apparently dead, my writing’s now worth a lot more than when I was alive. We stayed up till the wee hours, drinking and talking, and bright and early Sunday I hopped a plane back to Santa Ana. I drove to Los Angeles at ninety miles per hour, arrived just in time to catch the Dances with Films festival. Ambassador’s Day was playing at the shiny Laemmle 5, on Sunset in Hollywood. I just made it in time to catch myself, with Dave and Charles sitting beside me in the theater. Now I know that names are just names, and places are just places, but there was a never-to-be-forgotten thrill in leading in a Hollywood film. Yes, that’s me up there, making you laugh! After the film, I took the guys back to Costa Mesa, got them all nice and drunk, and we all watched the current cut of Absolute Pleasure. I collapsed in bed, failing from sensory overload, as the calendar turned from Sunday to Monday. Yeah, hell of a weekend.

To drench your skin with lover’s rosy stain

A month ago, my friend Dean told me: “I’m music-directing a show over at the Maverick in June. It’s called ‘Burlesque of Bond.’ It’s got all the theme songs from all the James Bond movies in it. Wanna play guitar for it?”

“Sure,” I said.

When I told my wife, she asked, “You’re going to be part of a burlesque? Isn’t that a lot of women dancing around without clothes?”

“I don’t think so,” I said.

I looked up the word “burlesque” in our big dictionary. It said: “an artistic composition, esp. literary or dramatic, that, for the sake of laughter, vulgarizes lofty material or treats ordinary material with mock dignity.”

“There you go,” I told her. “It’s a parody. A bunch of Bond jokes, I guess,” I said.

“No nude women dancing around?” she asked.

“That’s definition number four,” I said. “Very unlikely.”

Fast forward to two days before the show opens. Set construction took longer than anticipated, and so this is the first time that we’ve been able to rehearse the band and the stage act at the same time. Bass, drums, and rhythm guitar are all perched on metal scaffolding to the right of the stage. Dean plays keyboards and the familiar sampled sounds roll forth. I’m strumming the guitar and trying to sound 80s as I sing: “Meeeting yew… with a vyooo… tew a killll…”, wocka wocka wocka wocka.

And I look over to my right, and there are three very young, very hot women on stage. They proceed to take off their baby-T’s and dance around in pasties and G-strings.

At this point, memory becomes befogged.

When I came to, I asked Dean, “Dean, how come you didn’t tell me before that this was essentially a strip show?”

Dean said, “I did tell you. Burlesque of Bond. That’s the name. That’s burlesque,” he nodded.

“No,” I mumbled. “You didn’t. I figured, burlesque, like an artistic composition, esp. literary or dramatic, that, for the sake of laughter, vulgarizes lofty material or treats ordinary material with mock dignity.”

Dean looked at me. “What the hell are you talking about?”

“Stripping!” I said. “This is a strip show! There’s stripping! In this show!”

“You got a problem with that?” said Dean patiently.

I thought.

“Moof,” I said.

Face to face in secret places feel the chill

So in the upcoming month, if you’re in Los Angeles you can catch me in a show, and if you’re in San Francisco you can catch a show I wrote. “The Death of Ayn Rand” is shaping up to be excellent. The Virago team has assembled a very fine team for this one. Sondra Putnam as Ayn Rand is an ace performer with brilliant comedic timing.

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The jukebox musical I’m opening in the OC requires absolutely no brain cells to enjoy. It’s just a bunch of big-breasted Bond babes boogying their butts while the band and I cover all the theme songs from all the Bond films. It’s just as silly as it sounds.

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I’ll be singing the Duran Duran song and playing guitar. Love to see you at either one!

I’ll make you freak and make you lose control

This is a true story about a gong, a wedding, and naked pictures of myself. You know me: I?m profane and lustful. I know how to put on mascara and false eyelashes, and I know how to walk in high heels. Once I put on a French maid costume and rocked an electric guitar, in a rock band. I’ve written a play about a minister who seduces nuns. The play was occasionally entertaining.

Also, I am punctual only rarely.

That’s why I was such an unlikely choice to officiate Sean?s wedding. Last Sunday morning, Sean and I cruised up US-1 in Mendocino. As we bolted up 1 we could see the Pacific shouting in the sun, the morning spray of fog burned off and morphed into wispy billowy clouds that scudded and scuttered, the fog’s little cat feet grown to giraffe legs and galumphing along just as fast. Sean dropped it into second as we coasted the coast and drifted into downtown. Young-old women tottered between the low-slung tourist shops. They wore mottled grays and purple knits made of hemp and cotton, their skin sun-worn and free of makeup, their blowzy gray hair flittering in the winds from the sea.

My friend Sean has a rough tangle of curls on his head, and dark, brooding eyes that smile only under extraordinary circumstances. Superficially, Sean’s facial expressions vary only between dour and distraught. But his expressions are a dodge: if you attend carefully to what he says, you will find an active and worldly mind with a devilish sense of humor, buried underneath the classic Appalachian stoicism.

“Some things about our families,” said Sean. “They’re generically warm, and kind folk, but I should inform you that many of them are Protestant, a few Methodist. A handful, strictly so. That’s why it’s important that my wedding, at least, superficially, be a proper one.”

“When do you want the smoke pots to be lit?”

Sean didn’t even blink. “Having you officiate our wedding was Klahr’s idea,” he said. I love Sean.

“Now,” he continued. “I have to caution you. One of my family members Googled you and found your blog. They found… certain pictures. And I?ve received a number of odd questions about you.”

“Don?t concern yourself about it,” I told him. “You and I have improvised together many times before. Your wedding will be magnificent and proper. Regardless of what happens afterwards, if you, Klahr and I show up on that overlook in three hours, you will be married there, and your families will be very happy.”

“Then I suppose the money spent on catering will be put to good use,” he said flatly.

Sean he parked his car in front of a low, squat store that looked as though it might have been staffed by elves. The sign in the front read: Lark in the Morning. We went inside, and the place was a marijuana-induced dream of strings and woodwinds. The music store contained: mandolins in three sizes; a hammered dulcimer tuned to some bizarre East Indian non-linear scale; bouzoukis electric and acoustic; gourds and gattams and goombas; a boingy bastard banjo called a cumbus; African thumb pianos and kalimbas from Bala; and a dozen Krishnas’ worth of other music toys and things.

Framed by a bare wall was a thick metal disc, about three feet wide, hammered and gold. It dangled from a bamboo pedestal. “Come here, I want you to hear this,” said Sean. He picked up a bonger next to the metal disc, swung it gently, and there came from that metal plate a huge holler of sizzling noise that went on for three minutes at least. It was a gong from the mighty Wuhan province, from which all the great gongs in the world come. The gong had a massive, demanding voice, a shout of shimmering authority.

“It’d be thrilling to have this gong at my wedding today,” remarked Sean off-handedly. “To get everyone?s attention before the toasts.”

Sean was joking, but I was willing to take the joke further. I waved to the proprietor, an impish little woman with wisps of gray hair who beamed at me. “How much for the gong?” I asked her.

“Four hundred twenty-five dollars,” she said, continuing to beam.

“Don’t bother, John,” said Sean.

“That’s an expensive gong,” I said. “My friend here is getting married today. We could use a gong. How much to rent the gong for today only?”

“I don’t know,” said the shopkeeper, fidgeting. “No one?s ever asked to rent a gong before. Thirty dollars? Forty?”

“Call it thirty-five and l’ll rent your gong,” I said.

I dropped down my credit card as a deposit. Sean protested lightly, but I reminded him that on his wedding day, a man had a right to anything he wanted, within reason, and thirty-five for a gong was certainly reasonable in any sense of the term. We gently disassembled the stiff bamboo stand, piled the gong and stand into Sean’s car, and drove back to the inn.

The dining room at the inn was a high-ceilinged place with yawning picture windows, opening onto a patio. “We’ll install the gong there, on the patio,” Sean commented, and pointed. “When it comes time to give the toasts, I’ll strike the gong, and it will naturally attract people out onto the patio.”

“Or else drive them home,” I commented helpfully. We set up the bamboo gong stand on the patio and hung the gong from it. From inside the inn, the new aspect, a gong backlit by the electric Pacific ocean, intimated that Sean was now getting married somewhere west of Beijing.

An hour later, I was dressed in a suit and vest and a dashing gray tie, with my grandfather’s pocket watch secured in my vest pocket. My wife commented that I could do with a chain for the pocket watch, a bit of gold on the outfit to round it out, provide some “bling” as the kids say these days. And so she cut a piece from a bit of gold-colored string and tied it to the watch so that it would protrude from my pocket like a gold chain. As I looked in the bathroom mirror, I had a sudden knifelike apprehensiveness that I was an actor dressed the part of a minister. I cut the gold string from the watch without another word.

The actual location of the wedding was a high, dramatic bluff on the sea, surrounded by a ring of California bay laurel trees. My wife scattered flower petals between two regiments of white chairs. Forty East-Coast guests, dressed as though California were a warm place, shivered in the stiff ocean winds. I stood on the edge of the precipice and beamed at them all in what I hope was a ministerial fashion.

Sean appeared first, his brother in tow as his best man. Sean looked fine and pleasantly ruddy from the wind on his cheeks. And then Klahr arrived, her thin white veil flying in the ocean breezes. Sean and Klahr are superficially opposites. While he is a reserved cogitator, she is a red-haired, wide-grinned diva with a chatty, gregarious disposition. She had had her wedding dress constructed to her design specifications. It was not the standard white fitted cloak-dress, but a clever white wrap that suggested a shoulder of white corset.

The bride stood on my right, the groom on my left. I removed a small black book from my vest pocket: “The Star Book for Ministers,” by Edward T. Hiscox. If you search your memory, you will have, in your mental image of a wedding, a bride and a groom and a minister reading from a small black book. This book is that little black book, and it makes for fine late-night reading for insomniacs. Into this particular copy I had pasted eight secret extra pages, all inkjetted into eight-point font. I read from them:

“Dearly beloved, we are gathered here in the sight of God — and in the face of this company — to join together this man and this woman in holy matrimony.” A mumble of agreement from the attendants.

The matron of honor read a bit from a handful of text: “‘Why did you say that I don?t know about love?’ the wind asked the boy. ‘Because it?s not love to be static like the desert, nor is it love to roam the world like the wind.’ … And the wind screamed with delight,” she read, her words carried away by the wind, “and blew harder than ever.”

“Marriage is a full and voluntary commitment,” I said fully and voluntarily. “If any person can show just cause why they may not be joined together, let him speak now or forever hold their peace.” Sean turned to give a baleful look to the crowd. They shuffled a bit, but no one spoke up, so after an appropriately dramatic pause I had them exchange rings. My wife stood, bearing a small brown reliquary, and brought it to my side. I opened it with what I hoped was properly ministerial form and removed a bit of gold cord. They joined their hands together, and I handfasted them with a bow. That?s when the bagpipes started. A husband-and-wife bagpipe team marched in formation down the aisle, their horns bleating and cawing joyously, in the method exclusive to the province of bagpipishness. I waited a bit for things to calm down.

“What, therefore, God as joined together, let no one put asunder. And so, by the power vested in me by the state of California, I now pronounce you man and wife! May your days be long and good upon the earth! You may kiss the bride!” He undertook to do so, and succeeded successfully.

Well.

An hour later, the wedding party was back at the inn. The guests milled happily, snapped digital pictures of one another, scarfed chocolates and drank champagne. I settled into a chair, in tolerable good spirits, a glass of Chardonnay in one hand.

One fiftyish matron came up to me, “Oh my,” she said, without a shadow of irony in her voice. “When you and I met at dinner last night, and I said those silly things to you… I didn’t realize that you were a minister!”

I laughed. “You need not be concerned over that, dear woman! I’m just a man, same as any man you know… Except perhaps a little more so,” I mumbled.

Until that moment, the family members had been politely talking amongst themselves, but with the presence of this elder woman speaking to me, suddenly I became an object of interest. One by one they came to me, smiling, shaking my hand, forming a loose ring around me.

One woman with pink-gold lipstick and a sparkly purse fidgeted with a glass of champagnge and asked me, “Where did you meet Sean?”

“In school. Back in Harvard. We were in an improvisational troup together. We acted together, on stage,” I told her.

“Is that where you were ordained?” she asked me.

A light on the dashboard of my mind went from green to yellow. “Actually, I was not ordained, there,” I responded. “I actually majored in computer science, can you believe that?”

An old fellow with thinning gray hair grinned genuinely up at me. “A lovely wedding, just lovely, is what I thought. Really, one of the best one?s I?ve ever attended!” The light went from yellow to green again. “So tell me, are you from San Francisco?”

“Actually, I just moved south of Los Angeles,” I said. “But I used to live in San Francisco.”

“And tell me,” he said. “Do you have a regular church service in Los Angeles?”

Yellow light. Don’t lie, if you can help it. “Actually, I?m not providing any sort of service, right now,” I said. He nodded, looked a bit puzzled. “I?m new to the area,” I added.

“Why did you decide to move down?” he asked pleasantly.

“Acting?s one of my hobbies,” I said. “More opportunity for that, down in Los Angeles.”

A tall man, dressed impeccably, glided up to me, beamed down at me. “Mmm,” he said, with a satisfied air. “Goood wedding. Fine, fiiine wedding.” You could hear a parade of vowels as he birthed his adjectives.

The lady with the purse said, “I wonder,” she said. “Which church did you say you were with?”

Must keep smiling. “The Universal Life Church,” I said. “The main tenet of the church is to do right in all things. Kind of like my granddaddy. Did you see this pocket watch?” I asked.

She would not be distracted. “The Universal Life Church,” she pondered, turning the words over upon her tongue like a bit of wine. “Hmm, Reginald, are you familiar with the Universal Life Church?”

“Mmmm,” answered the tall man. “No, I do nawt beleeeve…” he said. “I do nawt believe that I am thusly familiar.”

“Is it a bit like the Methodists?” she asked.

“A bit,” I answered. “And a bit not.”

“Do you permit Christians to visit your church?” she asked.

The yellow light began flashing. I took a gulp of champagne. “What?” I said.

“Christians?” she asked earnestly. “Are they welcome in your church?”

“Oh, well, yes, of course,” I managed. “We are open to every creed, every religion. Many Christians, and those who believe in Christ, are welcome in the Universal Life Church. Personally, I have a long and sympathetic history with the story of Christ –”

“Mmm,” answered the tall man, looking down on me. “Not a stoary. Not a stoary at awl… Reverend. Is that what I should be refurring to you as? Reverend?”

Red light! Danger Will Robinson! Eject eject!

I stood there, my tongue paralyzed.

The tall man picked, I’m sure, what was an imaginary speck of lint off my lapel. He then fondled my lapel gently, as if to admire the tailoring of my suit. “I undastand, from Sean, that you are… an act-er? That’s how yew tew met, then? Act-en? Tell me, then. Are yew an act-er?”

My brain became a frozen grapefruit, and my feet blocks of wood. My improv skills were gone. I had, for the first time in my life, not a damned word to say. And at that moment:

There was such a reverberating, sizzling, authoritative din in the room that all conversation ceased and all heads turned toward the patio. Sean had a large mallet in his hand and he had banged that gong for all he was worth, and the vast Wuhan gong was tipping, tipping over the side of the patio and it was going to possibly roll all the way down into the Pacific ocean unless Sean grabbed it, and grab it he did, and as the gong was sizzling and screaming, the bamboo stand twisted and torqued and there was a muffled crunk sound, and all the people in the inn stood and collected their little plates of hors d’ouevres and went outside to listen to Sean’s toast.

And suddenly I was alone. I pounded the Chardonnay and got a refill.

Early the next morning, Sean and I inspected the gong and the bamboo stand. A large lateral crack ran up one side of the bamboo.

“Of course,” said Sean, “I’ll pay for the damage to this gong.”

“The gong is fine,” I said, “and anyway, I want it.”

“Not a bit necessary,” said Sean. “I’ve wanted a gong for quite a while.”

“That is my gong you’re talking about,” I said. “Where would you put it, in your downtown San Francisco apartment? Do you have space for such a gong? Where would you be able to beat on that gong, without disturbing the neighbors upstairs and down? That gong is mine, more than you know. You may visit it on alternate weekends, if you like, but it?s on my credit card and paid for by me.”

“Ah well,” said Sean. “If you must.”

Sean helped me load the gong and broken stand into the Prius, and the wife and I drove back home to Costa Mesa that very day.

People may say that a gong is an extravagance, something you only use once or twice and then put in the back closet and never bong on again. Though the original bamboo stand is useless, I believe the replacement stand, plus the original wedding gong, will provide our household years of pleasure:

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Told my girl I’d have to forget her

So I?m on the 55 at rush hour here in the OC. It’s sundown, and headlights are coming on. Swooping ribbons of freeways arc overhead. All around me, thousands and thousands of SUVs, each one inching forward a moment, then lurching as the owner hits the brakes. I look inside each truck. Back where I come from, you buy a truck if you need to haul firewood or sheep or something ? here, you buy a truck to haul yourself. All around me, thousands of secretaries and paralegals and financial services managers and creative arts directors and color print specialists not only drive trucks, they drive Trucks. They’re vast metal luxury tanks, leather-lined muscled workhorses that have been collared and placed into the merry-go-round of home to 405 to office to 405 to home. We have the middle-class Dodges and the Cruisers and the Tahoes and the Edges and the Santa Fes, but we have SUVs that are slumming from their upper-crust upbringing: Audis and BMWs and Hummers. A gentle brush against the accelerator, and a thick V-6 mutters underneath the hood, burning approximately one-quarter ounce of gasoline and converting it into carbon dioxide and trace emissions which fly past the catalytic converter and into the ever-darkening sky, and Mom and her four year old and four empty back seats all roll forward five feet, and another gentle brush on the brake pedal and the shock absorbers groan and wobble ever so slightly as the truck halts hard, while the 14 MPG engine continues to meditate, irreversibly sing subtle poisons into the sky. And each person in the county (which, the last time we checked, was around seventeen million) brushes the brake pedal and brushes the gas pedal approximately (the last time we checked) ninety-seven hours per year.

I squint into my rear view mirror. The black SUV behind me has his brights on. He flicks them a couple times at me. What the hell does he want me to do? The car in front of me rolls forward and stops, I roll forward and stop, perhaps with a little less vivacity than the SUVs around me, but I?m keeping pace with the slog nonetheless. Mr. SUV crawls forward, lights glaring upon my bumper.

The traffic shudders, rolls forward several hundred feet. A car on my right edges in front of me. The truck behind me jerks to a sudden stop, rolling like a tugboat on an unfriendly wave. He puts on his brights, leaves them there.

We sit there, all six thousand of us, waiting. The traffic has frozen like tree sap in hard winter. I flick the rear-view mirror up, get the glare out of my eyes.

In two minutes, the cars grudgingly roll forward, then roll forward again. The SUV behind me roars and swerves into the carpool lane, then sharply cuts in front of me. I hit the brakes. Traffic convulses, chokes, and dies again.

The driver of the SUV has improved his commuting time by approximately 173 milliseconds. I scowl at his bumper and fume impotently at it, and wish a silent posthumous curse upon all the 1950’s master planners of the greater Los Angeles area. And then ?-

Here I interject that I am driving a Toyota Prius. Two years ago, the California legislature passed a law saying that, if you pay $8 and fill out a lengthy form and if you’re one of the lucky eighty five thousand drawn from a very large hat, you qualify your Prius to wear an unsightly yellow sticker on its butt and its side. So we did, and we were drawn from that very large hat. And we got the Prius stickered.

I zoom out into the car pool lane, tapping the brakes beside the driver of the SUV just long enough to make eye contact, flip him a middle finger, and drive off at 70 miles per hour.

Meanwhile, back in heaven, two angels were watching. Their dialogue was as follows:

ADNACHIEL

Oh man, did you see him flip that guy off? That was funny! Man, I gotta get me one of those Priuses.

AFTIEL

No don’t do that, the service is really expensive on those.

ADNACHIEL

Yeah I heard that. Anyway, point for or against?

AFTIEL

Against. Look at that poor bastard in the SUV. He?s going to go yell at his wife and ignore his daughter when he gets home. Total karmic value to the world is negative.

ADNACHIEL

But you gotta admit —

AFTIEL

“But I say unto you, Love your enemies, bless them that curse you, do good to them that hate you.”

ADNACHIEL

(sighs)
Matthew five forty-three.

AFTIEL

Okay, one karma point off for John Byrd — what about SUV guy?

ADNACHIEL

Leave him even on karma. He had a gun in the glove compartment that he didn’t use.

AFTIEL

Bang bang. Okay, let’s take a look at the jam on the 5.

Thinking he won’t, goddammit he will

Oh shit, he wrote plays.

Unfortunately they suck no worse than a lot of “new works” I’ve auditioned for. But there’s one unforgivable dramatic shortcoming in his plays, which will be as interesting to the criminal psych folks at Quantico as to playwrights:

He has no sympathy for his antagonists. They’re half-dimensional receptacles representing teachers and parents. They’re not people.

You can’t write an interesting play if you have no sympathy for your antagonists.