Won’t you do this for me son, if you can?

Caught a two p.m. flight out of LAX. I always make a point of dressing well for travel; that, plus the fact that I don’t wear a wedding ring, makes it much easier for me than for the average schlub for getting the primo seats and free drinks and such. There’s a wine bar in terminal E in Charlotte. I dragged my bag in, bought a glass of Sangiovese something or other, and enjoyed getting chatted up by random barflies with grins a touch too wide for their painted faces. Wear plain-front slacks, men of America. They will get you laid, if you’re of a mind.

Thence to Charleston, West Virginia, where I was born. My father picked me up at the terminal. He’s old. He’s always, as long as I’ve known him, been old. He has a muddle of silver hair and a stooped little walk and teeth browned around the edges from years of coffee. My father has watery blue eyes, like my own, and an Appalachian accent more pronounced than mine. Even though he gave up the doctorin’ practice when Rachel got ill, he still wears the dark-blue jacket that suggests that he may have a stethoscope stashed somewhere within, which he can perhaps pull out like a rabbit or a bird as the punchline to a medical magic trick. My father cracks a few ironic jokes, and laughs. This is odd; when I was a boy, he never had the capacity for humor.

Charleston was cold, maybe on the near edge of freezing. He drove me down to the Blossom Dairy, a relatively upscale restaurant downtown. The pasta amatriciana was a vast plate of soggy noodles and bland red sauce, ringed with hard little strawberries. Truth is, until I crossed the state lines I myself didn’t know there was such a thing as arrabiata.

We left, and walked the streets of Charleston back to the car. I was looking at shop windows, Dad was lost in his own thoughts, much as I frequently am, and we both ended up walking into a red intersection, dodging a car that had the right of way.

Back up the winding road to Dad’s place. All the houses are nice; in this section of town, some people even pay to have their lawns mowed for them. Rachel was at home, sacked out on the sofa. She looked gray and tired, her face drawn. She’s been in the hospital for a week and a half, most recently for pancreatitis, but she’s going back in, maybe ten days from now, for treatment of the cancer. Dad informed me, a few days ago, that the cancer had got from her lungs into her liver, and the doctor who opened her up to get her gall bladder out reported that her liver was “highly involved.” There is an element of my brain, the cynical comedy-writing part, that never shuts the fuck up when I’d really really like it to. The liver instantly appeared in my head, out on the town, toasting the small intestine over a candlelit dinner, while the lungs looked on jealously from another table. Rachel ignored the plate of pasta we brought home for her. She’s not eating, much. And my tongue says things not important enough.

Next day, I slogged out of jetlag and Dad and Rachel were already up. Rachel said she was ready to eat, and was hankering for a donut. Dad and I soldiered down to the Donut Connection, a little shop that’s been there, with various names and paint jobs, ever since before I was born. There is a particular type of filled donut item there which, I am quite sure, is the finest donut product on the planet. Yes, Krispy Kreme is a West Virginia synthesis also, and quite fine in its own way, but Donut Connection, at 3509 Maccorkle Ave SE, Charleston, WV, sells the finest donuts on the planet. Donut Connection is a chain, but previously this Donut Connection was a Mister Donut, and before that it was something else; every decade or so it undergoes a change of ownership, but still they are careful to put a sign on the door: “SAME GREAT PRODUCT!” And it is. You are sixteen or seventeen years old, buzzed on rum and coke and easy sex for the past three hours, and you need to perk a little for the drive home; now what do you do? Why you go to Donut Connection, of course. The ingredients in the “fancies” (thus they are marked within the display counter) are designed to absorb excess alcohol and testosterone, leaving you refreshed and fulfilled, ready to face a thirty-minute drive, avoiding local law enforcement and your sullen stepfather.

I went to the counter and asked what was in the “fancies.” The woman behind the counter was maybe forty pounds overweight. Nearly every woman behind a counter or carrying a tray or making a bed in West Virginia is overweight. West Virginia is the fattest state in the nation. “Vanilla,” she said, simply.

“But, is it buttercream?” I asked. “What’s the ingredients?”

“Um, vanilla filling,” she said. Truer words were ne’er spoken. It was a rectangular wodge of bready donut iced with chocolate and puffed full of synthetic vanilla filling. The Donut Connection fancy is still fine like your birthday, a cozy slut of a breakfast treat. Nothing in the world bites your nuts so elegantly.

We brought Rachel back five donuts. She sort of ate one. She lay on the sofa most of the day, drinking Crystal Light. We talked small talk: the weather, the remodeling of the house, retirement planning. Stuff like that. Didn’t talk about the dog. The dog’s name was Charlie. Last week, as Rachel was in the hospital, the family dog had to be put down; the dog came down with pancreatitis, the same disease that put Rachel in the hospital. Dad was overcome with God’s predilection for irony, and he called me as I was speaking in Alameda: “I’m not looking forward to being in an empty house, all alone,” he cried at me. So I hopped a plane, and here I am.

Dad spends a lot of time around dying people, and when I come to visit, he often feels the need to take me to see an acquaintance who’s about to die. Dad felt it was necessary to take me to see Esther. I’ve never been entirely sure why he’s done this. Superficially, I suppose it’s because he’s lived life as a doctor, and he’s felt that by taking me to visit frail folk, he could instill in me a respect for the aged and ill, and for providing service to these people. But I’ve always harbored a vague suspicion, possibly unfounded, that he also has a literally morbid fascination with the terminally ill… that visiting people in such dramatic states of disrepair makes his own life seem much more palatable. In various stages of my life, I’ve dealt with this in a variety of ways. When I was a sullen teenager, I was a sullen teenager: monosyllabic, but not superficially rude. When I was in college, I got into philosophical arguments with whomever my father took me to see. Now, I engaged Esther in conversation. The fellow is an ex-minister, bed-ridden, still clear of mind and emotionally stable. Many people were coming to visit him, presumably to ask him to help in their own lives. We spoke pleasantly about Islam and whether it could be accepted in West Virginia. We seemed to get on fine.

Dad took me to the shopping mall, out on Corridor G. Now in my memory Corridor G is a rolling road from here to there, across hills and through a few cornfields and cow pastures. Not so; not so, anymore. Bang, men threw down an O.C.-style supermall, far as the eye can see in all directions, an avalanche of Home Depot and Hills and Kroger and oh dear Lord fast food fast food fast food. I haven’t cooked in quite a while, so when Dad said, “Buy whatever you need,” I said a little prayer to God and my non-present wife: “Help me to shop and cook well.”

Dinner turned out to be fine (garlic chicken, lemon pasta, and a blue-cheese salad with a vinaigrette). Rachel ate half a chicken breast.

I took a walk down the road and the leaves were in their November grace. The West Virginia mountains, at this time of year, are not gaudy or fantastic in any way; muted burned reds and oranges, somber, introspective and yet still very much alive. The sexuality is muted, a neck-high corset of leaves and twigs on an old woman with clear eyes. I have always had the sense of walking between breasts in this particular place. West Virginia dirt gets under your fingernails, into the positive in your O blood cells. It changes you. If you ever read something signed by John Byrd declaring that he hates these United States or West Virginia in particular, that he’s not a patriot or a lover of the earth or the black water hills, you can be sure the pod people have got me. I do love this place, and I am, as highfaluting as I might talk or dress at times, just a redneck. Look at the color of my Jeep.

Next day, Dad took Rachel in for some blood tests. More small talk. I did the dishes, and Dad and I talked politics. I had a conversation with my father about politics! It is unexpected. You must remember that for the majority of my childhood memory, the fellow was barely able to string together syntactically correct sentences. He was gone on booze or pills most days. And here he is, and we’re talking politics! How novel! And — get this — our politics are actually reasonably similar! What are the chances?

I hugged Rachel, packed my bags, made my bed, and hit the airport. I felt awkward, stunted as I left. No idea when I could return, or under what conditions. I thanked him. Dad said he had a cold. My dad gave me a bottle of hand sanitizer, and he made me promise to use it on the flight.

Fundamentally, I have no fucking idea how to be a son to this man. Dad asked me to show up, and he has no intention of leaving this place. Rachel’s getting worse. I don’t know how to be comforting. Too often I feel like an alien, even inside my own emotions. I showed up, sure enough. Dutiful son. Whatever. I fundamentally have no fucking idea how to take care of anyone else, let alone my father or stepmother. I am frightened, and wish I was wiser.

COME SAIL AWAY, COME SAIL AWAY, COME SAIL AWAY WITH MEEEEE!

On October 30, A. tells me, “No, you don’t understand. The company takes Halloween very seriously. You shoulda seen some of the costumes at last year’s party.”

“No, you don’t understand,” I say. “I win the costume contest. Every year. Doesn’t matter which company. Sega, I swept it, every year. This year, your first prize is mine. I got a secret weapon.”

“Okay,” A. says, “All I’m saying is, just be ready to lose.”

That night, I activate my secret weapon, which is, of course, my wife. “I’m sorry,” she tells me. “I’m putting too much of this blue nail polish on you. You’re all tacky.”

“Of course I’m tacky,” I say. “Do we have eyelash glue?”

Next day is Halloween. I gotta admit, A. was right in some ways; the competition shows up, and game is brought: three dozen competitors at least. And some of the costumes are downright amazing.

But me? Best overall, fifty bucks, and bragging rights for yet another year.

Halloween night at Tommy’s. A handful of network TV stars and gosh-I-love-L.A. kids, at the high end of the snoggable bell curve. Tommy showed me his recently constructed dioramas. There were two polyethylene dinosaurs, towering behind the swimming pool. Three public-domain pirates, not precisely Disneyish, were swinging from ropes and plundering a chest of video game tokens. Tommy T would be tempting five feet if he wore platform heels, and he wasn’t. Me, I was wearing platform heels, and my pimp hat kept sweeping plastic spiders and cotton cobwebs off the ceiling of his hobbit-sized mansion. He did the same marked-deck magic tricks I did when I was nine years old. There may be something universal in musicians’ needs to bombastically trash old rock tunes. At one point, someone broke out the glowsticks. We ended up beating the shit out of the piano and screaming Come Sail Away until my voice went.

And I walk right through the door

When the manager came around, I told him, “I came into your gym yesterday. When I was working out, someone popped the lock off my locker and took about two hundred dollars out of my wallet.”

The manager was round, with a tuft of brown hair. “Can I see the lock, sir?”

I got the lock out of my car and showed it to him. “There, you see? There’s a bunch of dents and scratches on the top that wasn’t there before. And the lock was closed yesterday when I got back to it. I’m guessing somebody pried or forced it, took my money out.”

“Something like this happened about a month ago,” said the manager. “The lock was bent in the same way. Are you going to use this lock again?”

“Hell no,” I said. “It’s yours.”

“You get a lot of stuff stolen?” asked.

“Yes,” I said. “Yes I do.”

I wish I could unzip my skin and take it off just to take a walk

I’m apparently speaking at the Alameda Literati Festival on November 3 (that’s this Saturday). I’m part of a panel at 10 a.m. and I’ll be doing a fun little presentation at 1:00 p.m. on the topic of “How To Write Your Script.” There’s no cost or anything. If you’ve got a story inside you that needs to come out, come around and I’ll tell you how to do it.

I’m driving in my car, I turn on the radio

The air’s a little worse out there today. It’s nine a.m. and normally we have bright blue skies by now — the sky is this sickly yellow. We left a window open in the bathroom last night, and now the bathroom smells like smoke. A handful of people left work yesterday when the spreading fire started to threaten their apartments and houses. Biggest concern for us in Costa Mesa is air quality — the Santa Ana winds blow east to west, and the Santiago Fire is vast and smoky. Here’s the map. For general reference, we’re approximately at the intersection of the 405 and 55.

Thanks to everyone for the concern and support — the wife and I are perfectly fine, and are similarly concerned about others.

To my surprise, yes, one hundred stories high

SoCal has little brush fires all the time, but this smattering represents the real deal. The wildfires down here are quite something. There’s a nasty orange veil of smoke on the horizon. About ten miles east of here is what they call the Santiago Fire, presumably started by humans. The fabled Santa Ana winds howl off the desert and whip the wind east to west, out over the ocean. There’s a sickly yellow veil of thin acrid smoke everywhere around Irvine and Costa Mesa. It gets worse the farther east you go. Schools are closing, or at least keeping the kids indoors. I went up to Los Angeles today to get headshots done, and the sunset was sinister.

Hello hello hello, is there anybody in there?

Perfect pitch is the ability some musicians have to perceive musical notes independent of any tonal reference.

Perfect pitch is used primarily to make other musicians without perfect pitch feel inferior. Typically, this is accomplished as follows. The musician with perfect pitch points at the musician without perfect pitch, and says something like, “You lack perfect pitch! Ha ha ha!” At this point, the musician without perfect pitch runs away crying.

However, I am here to tell you that the notion of perfect pitch is bunk. All humans have perfect pitch. You have perfect pitch already. Would you like me to prove it to you?

First, choose your favorite song by your favorite singer or band. Yes, you love lots of songs. Think of one that you would love to turn up if it came on the radio, because you’ve heard it like a hundred times and you still think the song is cool. Go ahead and choose the song. I’ll wait. While I’m waiting, I’m going to choose “Comfortably Numb” by Pink Floyd. Note! You don’t have to choose “Comfortably Numb.” Any song will do, whether it’s by Pink Floyd or not.

Okay, now you have your song. What you’re going to do is play the opening section of it right in your mind. You’ll just close your eyes and think the song right now, like it’s playing on the radio. Dum dum dum dee dee dee… and you’re going to hear the singer start to sing the song. In my case, Roger Waters is going to go, “Hello hello hello…”

Now did you just hear the singer sing that note in your head? That note is, for you, an absolute pitch. You could, if you wanted to, hum that note very quietly. And you could do it today or a month from today, and you will always hum that note.

You could even walk over to a piano or a guitar, sing the note again, and futz around on the keys until you found the exact same note that Roger Waters was singing (F-sharp below middle C). From now on, if you want to know what an F-sharp sounds like, just play the opening sequence from “Comfortably Numb” in your head1, and wait for Roger to sing an F-sharp for you.

If you did this for twelve songs all in different keys, you’d know all the notes of the scale. Poof! Perfect pitch for you!

—-

1The original 1979 version, not the cheesy harmony version with post-Waters Floyd they did in the mid-80’s. That was a B-minor chord.

Which pets get to sleep on velvet mats?

[Laughing] I have a joke. It?s a good one. This joke is called “The Aristocrats,” okay? So the setup is, there?s this guy, and he runs a talent agency. He?s an agent. And a man comes into the agent?s office, says Have I Got An Act For You. And the agent says, We Don?t Take Family Acts. And so the guy says… no wait, the guy?s got his family with him. Yeah, the guy walks in to the talent agent?s office, he has a wife and a son… So the guy goes in, with his whole family, says to the talent agent, Have I Got an Act For You. Talent agent says, We Don’t Take Family Acts. And so the guy goes, You’ve Never Seen Anything Like This. And so the daughter… Wait a second, this is important. There’s a daughter there. So the guy has brought his wife, his son and his daughter. And he goes to the talent agent, Have I Got An Act For You, blah blah blah. And so the daughter takes out this big thing, it’s like about this long and like this. It’s some sort of sexual device. And the whole family is, like, “whoa!” … Let me see if I can remember how this goes. So the son takes the thing… I’m sorry, I’ve totally screwed this up. Wait, wait! There’s a pony. They’ve got a Shetland pony with a velvet collar covered with sleigh bells and blue ribbons. And the pony is pulling this sleigh, and the sleigh is full of toys and gifts and things… I always wanted a pony. It would be nice to pet one. They have those soft manes. [Make pony noises] The joke! So okay, we have a pony. And so the daughter, she has this sexual device, it?s like this big, and everybody’s like, “ohhhh!” And then… So maybe, the pony isn’t actually important to the story. I can’t remember. The pony comes in, and then… [Long pause] Knock knock. [Who?s there?] The Aristocrats! [The Aristocrats who?] Um… [Long pause, then cry quietly]